At the Linda Jamieson School of Dance, ballet students may study in either the recreational or the pre-professional program. Students are allowed into the pre-professional ballet program at the Linda Jamieson School of Dance by audition only. The pre-professional training follows the world-renowned Royal Academy of Dance curriculum.
For the ballet dancer, turnout refers to the rotation of the leg from hips to toes. It involves not only the ability to achieve rotation but also the strength to hold this position throughout an exercise or phrase. It starts with flexibility of the hips, which depends partially on such congenital factors as the natural outward angle of the femur and the lateral orientation of the hip socket opening.
Structure of the bones are not in a dancer’s control, but it is possible to strengthen the rotator muscles that allow the body to achieve its maximum turnout potential. Dancers may also work on increasing their ability to focus and control those muscles, so that they can maintain maximum rotation as long as possible.
At the same time, dancers must be careful not to force the result. It is a good thing to work toward maximum rotation throughout a class, but many dancers attempt to work beyond natural turnout and end up rolling in on the ankles. This can lead to injuries in the feet, the knees, and even the back, whereas maintaining alignment can keep a dancer performing safely for much longer.
The Linda Jamieson School of Dance is a Royal Academy of Dance studio located in Ottawa, Ontario. Each year, the Linda Jamieson School of Dance produces a number of high-quality dance performances, including works of classical ballet like The Nutcracker.
Performance dance, also known as concert dance, encompasses an array of dance styles that are traditionally performed before a live audience. Performance dance styles include belly dancing, hip hop, and ballet. Sub-styles of performance dance, meanwhile, include lyrical and contemporary.
The different styles of performance dance can vary greatly. For example, classical ballet is often associated with narrative performances such as The Nutcracker and Swan Lake. Hip hop dancing, by comparison, can range from highly choreographed team dances to individual free-style and break dancing.
Tap and jazz are further examples of popular performance dance styles. Like ballet and hip hop, both tap and jazz involve dance routines set to a musical score or soundtrack. Dance studios that offer classes in performance dance typically cover multiple styles of dance.
The Linda Jamieson School of Dance, a member of the Royal Academy of Dance, has provided professional-level training to international dance students for more than three decades. A number of the school’s students have gone on to enjoy success across various styles of dance, from classical ballet to Broadway. For more information on the Linda Jamieson School of Dance, visit www.jamiesondance.com.
Among the thousands of unique dance styles, one could argue that the art of social dance is one of the most popular, if not the most widely practiced. Social dance styles, including line dancing, salsa, swing dancing, and ballroom dancing, are not only performed by professionals at competitions and as part of live performances, but also by armatures at social events or in casual settings.
Freestyle dancing is perhaps the best example of a social dancing. Popularized nearly six decades ago, “freestyle” is a term attributed to any dance that lacks a set pattern of footwork and lacks choreographed contact between partners. Certain moves and steps may be associated with a specific freestyle dance, but individuals can implement and arrange these moves in any number of ways. The vast majority of dancing that occurs at nightclubs or public dances would be considered freestyle dancing.
Ottawa’s Linda Jamieson School of Dance provides dance training for every level, including young dancer, recreational, and pre-professional programs. As a complement to its exceptional instruction, Linda Jamieson School of Dance hosts workshops led by luminaries such as Karin Baker, an esteemed dancer and choreographer with a notable Broadway career. It began in the 1960s with appearances in shows starring high-profile performers, such as Joel Grey and Katherine Hepburn.
One of the major milestones in Karin Baker’s career occurred in 1980, when she had to assume the role of dance captain for a production of 42nd Street following the abrupt passing of a colleague. After demonstrating her ability to lead her team of dancers to achieve continued excellence, Karin Baker recreated 42nd Street for two companies in the United States, along with one in London. Following this success, Ms. Baker served as an assistant choreographer for the 1986 production of Me and My Gal, and choreographed several productions, including Bach Suite, Last of the Red Hot Mamas, and The Melody Lingered On.
Throughout her Broadway career, Ms. Baker performed in other notable shows, including George M! and Coco. In addition to achieving success on Broadway, she also performed with the Pacific Ballet and on the famed television program The Carol Burnett Show.